One of the big advantages of moving my office from the small bedroom to the big front room has been the re-finding of my collection of fountain pens. As much as ten years ago, with some close ties to someone who worked at the local fountain pen store, I began a small collection. I’ve neglected them shamefully over the years, but when I began the big move, there they all were, waiting patiently–including two I had never filled or used. Here’s a recap of the Great Pen Rehabilitation:
Jean Lapine “Samba” in a tutti-frutti color: A favorite, received as a birthday gift in the mid-Nineties. It has a wildly colored barrel with bits of red, yellow, blue, green, and black. The fittings are sterling silver, and the nib is (I believe) gold over steel. I always kept this pen filled with Mont Blank emerald green ink. I’ve been finding out bad things about green ink in terms of who used it, and I wonder if I should change the color. It came right back to life. I still have the leather holder it came in.
Lamy “Safari,” red: Another newer stalwart, now filled and working with Parker Quink in black. Has a very nice and heavy nib. I have rehabbed its matching mechanical pencil simply by adding some new lead.
Sensa, pink: I think it’s a Sensa. I’ve probably had it seven years or so. Whatever it is, it was made in Italy. I tried filling this with deep rose ink, but apparently I haven’t done a good job cleaning it out. It’s writing, but it’s still writing black.
Those are the new pens. Here are the old ones:
40′s or so Eversharp Skyline: First of my vintage pens, and I bought it for myself. I remember being in Austin, Texas working with clients, one of whom was a collector of vintage pens. He remarked that I was using a fountain pen and offered to take me to a vintage pen shop one day at lunchtime. I loved this pen, and it was affordable enough for me to buy on the spot. It’s black with gold fittings and a gold nib, fills with a lever, and works perfectly. On his advice, it’s always been filled with black Quink. Happily it revived immediately.
50′s or so Wearever: It’s got a dark blue body and gold-plated everything else. I bought it in an antique mall in Berkeley Springs, WV. This pen didn’t work when I bought it, and it sat around here forever. After a good cleaning and refill, it’s been working all day today. So far, so good. I think Wearevers were really the pens of the average folk, but I’m not certain of anything. As to whether it will work after a day or so, time will tell.
50′s Shaeffer Snorkel: I was amazed to find this pen. Either my father or my mother had the identical pen when I was a youngster; in fact, it was given to me when I was far too young, and I destroyed it. It’s the same Nile green color with gold fittings. There’s writing in the family Bible in both their hands, using the pen, which was always kept filled with peacock blue ink. Naturally, I’ve filled this one with peacock blue ink. It seems to be holding up well after its cleaning and refill, but it has some inherent problems. It will blob on you if you gesture too grandly while writing; I clearly remember that it blobbed on me the day I started my new job in 1995. And it has a weeeeee little capacity.
Esterbrook Green “J” Pen: Greg bought this one for me just before all hell broke loose with my mother. I laid it aside and never filled it until today. It was in pristine condition and worked as soon as I filled it. This pen has a fabulous looking pearlized finish and is the smaller model.
Esterbrook Red “J” Pen: Another gift from Greg, just filled for the first time. It’s the larger diameter model and has a red pearlized finish. This pen has the best nib ever, and I can see it becoming my favorite.
There’s something quite therapeutic about fooling around with pens.